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I want to tell you about someone I can't seem to get away from. She knows everything about me. My patterns. My deflections. The specific way I go quiet when something is required of me that I'm not sure I can deliver. She knows which version of busy I use when I'm avoiding something real. She knows my voice when I'm performing and my voice when I'm not, and she has spent a very long time making sure the performing one stays in charge. She is an older version of me. And she refuses to get quiet. I think I expected that by now, at 42, ten weeks into a project built entirely around growth and honesty, she would have started to fade. That the work would have created some distance between who I've been and who I'm becoming. That I would look up one day and she would just be... smaller. Less present. Less insistent. Instead she is in every room I walk into. She is the first voice I hear when I sit down to write something true. She is the one who suggests I soften it, reframe it, make it more palatable before it sees the light. She is the one who looks at what I've built over the last ten weeks and says, quietly but persistently, who do you think you are. I have been in a low-grade negotiation with her for months. Here is what I've been sitting with lately: I thought the invisible pivot was about other people. I thought it was about the friends and the family members and the former colleagues who still relate to the version of me from five years ago. The one who was quieter, more accommodating, less certain about what she wanted. I thought the work was convincing them that I had changed. But nobody's file on me is more outdated than my own. I am the one who keeps reaching for the old operating system. I am the one who defaults to the familiar self when the new one feels too exposed. I am the one who, in moments of pressure or uncertainty, reverts to her without even noticing I've done it. And then wonders why the work isn't moving the way I want it to. There is a particular kind of self-sabotage that doesn't look like self-sabotage. It looks like caution. It looks like not wanting to get ahead of yourself. It looks like being realistic. It sounds reasonable from the inside, which is why it's so effective, and why it's taken me this long to name it for what it is. She is not protecting me. She is protecting herself. The old version of me had a system that worked. It kept things manageable. It kept the exposure low and the risk lower and the disappointment at a level that felt survivable. She built that system carefully, over years, out of real material. I'm not going to pretend it came from nowhere. But I'm not in that environment anymore. And the system she built for it is running in a context it was never designed for. I am trying to build something that requires me to be new. Not better. New. And she keeps showing up to the construction site with the old blueprints, absolutely certain she's helping. She's not helping. I don't know how to make her quiet. I'm not sure that's even the goal. What I'm learning, slowly and with some resistance, is that the work isn't getting rid of her. The work is making the choice, repeatedly, to move anyway. To write the true thing before she can soften it. To take up the space before she can calculate whether it's appropriate. To be the new version, in real time, while the old one is still in the room. She's still in the room. I'm moving anyway. |
For women building something — a life, a business, a self. Field Notes from The Audacity Project, essays on culture and self-awareness, and the kind of honest reflection your group chat has been having for years. Direct to your inbox.
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